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By tspore at 06/20/2009 - 22:20
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Olympus Studio / Master with Art filter, and I Image processor V support.
I assume that it will be made avalible within a couple weeks, but for now you can download from here, please download the correct version, and unzip the file before using. :D For OSX the Master version is 2.2 and Studio version 2.3.
Oops ran out of bandwidth, so if you missed it, wait for Olympus to officially release it.
In addition to the new camera support, on OSX Studio seems much more stable.
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By Richard Pavek at 05/25/2009 - 19:56
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There have been conflicting reports on focusing the E-3. Some owners reported problems while others couldn’t find any. A certain amount of bitterness ensued over this. Tony and I who use entirely different lens setups independently stumbled on the solution to the elusive problems.
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By tspore at 04/18/2009 - 21:29
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I really am always interested in seeing this game of "one ups," you know like when 2 kids sit and say, my Dad is bigger than your dad. Then the other child says, "Oh yea well, my dad's bigger than Shaq," and on and on they go. Next thing you know, one dad is taller than Mt. Everest. Over the last 5 years we have seen much of this with SLR cameras, which once were a simple instruments to capture our world have grown into complex computers with the ability to create the world they capture.
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By tspore at 02/24/2009 - 08:17
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With each generation of 4/3 cameras we see a lot of changes, both in parts that we see in the physical body as well as under the hood. On the E-620 we see a improved LCD screen, but they have also revampted the menu system.
The Super control panel has not changed much since the E-420, but really I don't know how I would improve it. You can quickly get into 99% of what you need almost all the time.

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By tspore at 01/13/2009 - 07:29
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By Assaf Peretz
Three years ago, my boss and I chose a new camera system for on site documentation at several archeological digs in Israel. High quality sharp images were required to represent our work in a variety of academic and cultural venues. Our choice of equipment was of the
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